Je suis né le 17 juin 1953 à Corbeil-Essonnes, en France. J'habitais initialement à Cogolin et maintenant à Toulon, dans le Var, en France. Cette photo en entête, je l'ai prise à Cogolin dans le Var en France le 29 septembre 2005 à 18 H 09. On voit deux ovnis que j'ai cerclé en rouge. Je n'avais rien vu à l'oeil nu... Ici l'actualité des phénomènes ovni et paranormaux... J'ai commencé à étudier le Phénomène des OVNIS dès l'année 1969, puis par la suite, je me suis aussi intéressé à l'étude des Phénomènes Paranormaux... J'ai fais parti en France, de diverses Associations de Recherches sur le Phénomène OVNI : "GEPA", "GEOS", "CFRU", secrétaire du Groupe Sentinelle... J'ai rédigé de nombreux articles concernant mes Recherches sur ces Phénomènes OVNIS et Paranormaux. Mon nouveau blog https://presencesautresmondes.blogspot.com/
Voici un nouvel article remarquable de l'Amie Mary Alice Bennett, de Tucson, en Arizona... :
Grand Merci à Mary Alice !
Sauniere`s Clues – The Pointing Angels
Archaeologist Ben Hammott deduced the location of the newly discovered Rennes-le-Chateau artifacts from mysterious clues carefully placed within the
opulent
ly bizarre décor of Abbe Beranger Sauniere`s
redecorated church. Among the objects he found in the buried wooden chest was a glass vial containing a small parchment originally hidden in the wooden balustrade. It was the writing on this
piece of vellum that inspired him to begin digging in the churchyard.
The heavy carved wooden balustrade had been removed during the renovations to the interior of the church. A bell-ringer named Antoine Captier (1833 – 1903) noticed the glint of glass in the crack that exposed its hiding place after the balustrade had been discarded. Antoine gave the vial to the priest and that was the last he saw of it. He would later say that his sharp eye was the reason that Sauniere the priest had become so wealthy. The glass vial now lies with the 1rst century cup, perfume bottle, and 2nd Temple era coins found in the wooden chest which was unearthed using the clues left by the priest in his statuary.
Clearly Beranger Sauniere learned much about Templar trigonomic maps and codes during the translation and interpretation of the Blanchefort parchments on his trip to San Sulpice in Paris. The messages and maps that he left in the buried bottles were written by an adept. The intricate clues Sauniere commissioned in the statuary of his church were what led Hammott to his discoveries and that is why the objects that he found are authentic.
“The Message in a Bottle”
The colorful angels who greet guests at the door point in different directions creating an angular upside down number 4. These four female robed angels are held up by the red demonio whose head has been repaired. The parchments read, “I shall destroy this demon guardian at noonday”, perhaps a treasure hunter took this phrase literally thinking that there was gold within the plaster statue. Hammott used a color photo of the original statue because the direction of his gaze was an important clue and the face had been somewhat altered. The right hand seems to have held a trident since it forms a circle. This pose reminded Ben of the “Circle Spring” – the “Source du Cercle” near the famous landmark rock called the “Devil`s Armchair” with its chiselled seat. When superimposed on this boulder throne, the crouch of the red statue fits perfectly as if he were seated on it. The left hand was also an instruction. After much digging and measuring, Hammott read the left hand as a measure using the angle of the thumb as the direction and the four fingers meaning 4X the upside down 4 of the angels. He dug down and found an engraved rock with the initials of Sauniere “BS” which are the same initials in black on red used as a signet on the angels` statue. One of the angels is pointing right to it.
On the rock there was carved a 4 and an arrow. Ben had to replace the rock in the ground to see where the arrow led, which was nowhere. He had to look back along the shaft to see a small cave where he dug down to find a plain rock and then a wine bottle. The bottle was sealed with red wax and contained a diagram written by the priest in red ink. As he cleaned the bottle, he imagined Sauniere drinking the wine it once held.
Finally the mystery of El Diablo at the door is solved. He greets visitors because of the name of the rock. His gestures are directions oriented to the terrain around the rock as if he were seated upon it, so he has to be the devil at the door to fit the title of the Devil`s Armchair landmark.
“The Grotto of the Magdalene”
The Abbe spent a lot of time hiking in the mountains around his church. He carried back with him light volcanic tufa stone with which he constructed his garden grotto on the church grounds. This grotto mimics the area in the hills where another bottle was buried. His outdoor statue of Mary Magdalene holds a cross horizontally as if it is a pointer. The measurement from the cross she holds to the grotto is the same length as from the 2nd rock clue to the bottle up in the wilderness. This 2nd carved rock displays a wiggly “S” which replicates the crooked path to be taken to find the blown glass bottle dated to 1890 – 1900. Sauniere`s garden grotto exactly depicts the setting of the 2nd bottle clue!
“The Cave from the Window”
The beautiful Tower Magdala overlooks the valley. Its slender Gothic window looks directly out towards a cave in the mountain facing Rennes-le-Chateau, it is called “The cave of the Magdalene”. It was Ben Hammott who noticed it and went up to explore. He has saved the details of his search and the maps that he found for his upcoming book, but his methodology and his brilliant puzzle solving skills are evidence of the authenticity of his 1rst century finds.
Next time: Ben discovers a Templar Tomb using more of the clues from inside of the church.
Mary Alice Bennett
EN FRANCAIS :
Traducteur "Google" :
e l `église réaménagée. Parmi les objets qu'il trouve dans le coffre en bois enterré est un flacon en verre contenant un petit parchemin initialement caché dans la balustrade en bois.
Il a été l'écriture sur ce morceau de parchemin qui a inspiré à commencer à creuser dans le cimetière.